Artist: Benny Carter

Benny Carter was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award. 

In his early 20s, Carter worked as arranger for Fletcher Henderson after that position was vacated by Don Redman. He had no formal education in arranging, learning by trial and error, getting on his knees and looking at the existing charts, "writing the lead trumpet first and the lead saxophone first—which, of course, is the hard way. It was quite some time that I did that before I knew what a score was." 

He left Henderson to take Redman's former job as leader of McKinney's Cotton Pickers in Detroit. In 1932, he formed a band in New York City that included Chu Berry, Sid Catlett, Cozy Cole, Bill Coleman, Ben Webster, Dicky Wells, and Teddy Wilson. Carter's arrangements were complex. Among the most significant were "Keep a Song in Your Soul", written for Henderson in 1930, and "Lonesome Nights" and "Symphony in Riffs" from 1933, both of which show Carter's writing for saxophones. 

By the early 1930s, Carter and Johnny Hodges were considered the leading alto saxophonists. Carter also became a leading trumpet soloist, having rediscovered the instrument, and he recorded extensively on trumpet in the 1930s.

Carter moved to London and spent two years as arranger for the BBC Big Band. In England, France, and Scandinavia he recorded with local musicians, and he took his band to the Netherlands. In these settings, Carter played trumpet, clarinet, piano, alto and tenor saxophone, and provided occasional vocals. In 1938, he returned to America. He found regular work leading his band at the Savoy Ballroom in Harlem through 1941. The band included Shad Collins, Sidney De Paris, Vic Dickenson, and Freddie Webster. After this engagement, he led a seven-piece band which included Eddie Barefield, Kenny Clarke, and Dizzy Gillespie. 

In the mid-1940s he moved to Los Angeles, forming another big band, which at times included J. J. Johnson, Max Roach, and Miles Davis. But these would be his last big bands. Except for occasional concerts, performing with Jazz at the Philharmonic, and recording, he ceased working as a touring big band bandleader. Los Angeles provided him with many opportunities for studio work, and these dominated his time during the decades. He wrote music and arrangements for films, such as Stormy Weather in 1943. During the 1950s and '60s, he wrote arrangements for vocalists such as Louis Armstrong, Ray Charles, Ella Fitzgerald, Peggy Lee, and Sarah Vaughan. On something of a comeback in the 1970s, Carter returned to playing saxophone again and toured the Middle East courtesy of the U.S. State Department. He began making annual visits to Europe and Japan.