Artist: Cedar Walton


Cedar Walton was an American hard bop jazz  pianist. He came to prominence as a member of drummer Art Blakey's band, The Jazz Messengers, before establishing a long career as a bandleader and composer. Several of his compositions have become jazz standards, including "Mosaic", "Bolivia", "Holy Land", "Mode for Joe" and "Ugetsu/Fantasy in D". 

Walton was born and grew up in Dallas, Texas, and cited Walton cited Nat King ColeBud PowellThelonious Monk and Art Tatum as his major influences on piano. He began emulating these artists' recordings from an early age. 

After briefly attending Dillard University in New Orleans, he entered the University of Denver as a composition major, but was encouraged to switch to a music-education program with the goal of a career in the local public school system. This later proved extremely useful, as he learned to play and arrange for various instruments, a talent he honed with The Jazz Messengers. 

Walton was tempted by the promise of New York City through his associations with John ColtraneCharlie Parker, and Richie Powell, whom he met at after-hours sessions around Denver, Colorado. In 1955, he decided to leave school and drove with a friend to New York City. He quickly got recognition from Birdland manager Johnny Garry. 

Walton was drafted into the U.S. Army and stationed in Germany, cutting short his rising status in the after-hours jazz scene. In the Army he played with musicians Leo Wright, Don Ellis and Eddie Harris. On his discharge after two years, he picked up where he left off, playing as a sideman with Kenny Dorham, on whose 1958 album This Is the moment he made his recording debut. 

He joined the Jazztet led by Benny Golson and Art Farmer and played with them from 1958 to 1961. In the early 1960s Walton joined The Jazz Messengers as a pianist-arranger, where, for the next three years, he wrote and arranged such originals as "Ugetsu" and "Mosaic". 

For a year, he was Abbey Lincoln's accompanist, and recorded with Lee Morgan from 1966 to 1968.

In the mid-1970s he led the funk group Mobius. He arranged and recorded for Etta James from the mid-1990s on, helping her win a Grammy Award for Best Jazz Vocal Album for Mystery Lady: Songs of Billie Holiday (RCA Victor) in 1994. 

Many of Walton's compositions have become jazz standards, including "Mosaic", "Bolivia", "Holy Land", "Mode for Joe" and "Ugetsu/Fantasy in D". "Firm Roots", "Bolivia" (perhaps his best known), and "Cedar's Blues". One of his oldest compositions is "Fantasy in D", recorded as "Ugetsu" by Art Blakey in 1963, and as "Polar AC" by Freddie Hubbard, first in 1971. 

Further information about Cedar Walton is found here and here.

Photography credit: Sven.petersen, Public domain, via Wikimedia Commons

This content was excerpted from the Wikipedia article, https://en.wikipedia.org/wiki/Cedar_Walton, which is released under the Creative Commons Attribution-Share-Alike License 3.0 (https://creativecommons.org/licenses/by-sa/3.0/).

Cedar Walton with Art Blakey and The Jazz Messengers

Cedar Walton/Clifford Jordan Quartet- San Remo (Full Concert)

Cedar Walton: Videos

Cedar Walton Trio D Williams, V Lewis + Jackie McLean

Cedar Walton/Clifford Jordan Quartet -1975

Cedar Walton - Mobius full album