Artist: Grant Green
Grant Green was an American jazz guitarist and composer.
Recording prolifically for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critic Michael Erlewine wrote, "A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar ... Green's playing is immediately recognizable – perhaps more than any other guitarist." Critic Dave Hunter described his sound as "lithe, loose, slightly bluesy and righteously groovy".
He often performed in an organ trio, a small group featuring a Hammond organ and drummer. Apart from fellow guitarist Charlie Christian, Green's primary influences were saxophonists, particularly Charlie Parker, and his approach was almost exclusively linear rather than chordal. He rarely played rhythm guitar except as a sideman on albums led by other musicians.
The simplicity and immediacy of Green's playing, which tended to avoid chromaticism, derived from his early work playing rhythm and blues and, although he achieved a synthesis of this style with bop, he was a skilled blues and funk guitarist and returned to this style in his later career.
His first recordings were at the age of 28, in St. Louis with tenor saxophonist Jimmy Forrest for the United label, where Green played alongside drummer Elvin Jones. Green recorded with Jones for several albums in the mid-1960s. In 1959, Lou Donaldson discovered Green playing in a bar in St. Louis and hired him for his touring band.
Donaldson introduced Green to Alfred Lion of Blue Note Records. Green's recording relationship with Blue Note was to last, with a few exceptions, throughout the 1960s. From 1961 to 1965, Green made more appearances on Blue Note albums as leader or sideman than anyone else. His first album as a leader was Grant's First Stand. This was followed in the same year by Green Street and Grantstand. Grant was named Best New Star in the Down Beat Critics' Poll, in 1962. He often provided support to others musicians on Blue Note, including saxophonists Hank Mobley, Ike Quebec, Stanley Turrentine, and organist Larry Young.
Sunday Mornin', The Latin Bit and Feelin' the Spirit are all concept albums, each taking a musical theme or style: gospel, Latin and spirituals, respectively. Grant carried off his more commercial dates with artistic success during this period: Idle Moments (1963), featuring Joe Henderson and Bobby Hutcherson and Solid (1964), are described by jazz critics as two of Green's best recordings.
In 1966 Green left Blue Note and recorded for other labels, including Verve. From 1967 to 1969 he was inactive due to personal problems and the effects of heroin addiction. In 1969 he returned to Blue Note but played mostly in R&B settings. Further information about Grant Green is found here.
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