Artist: Idris Muhammad
Idris Muhammad (November 13, 1939 – July 29, 2014) was an American jazz drummer and bandleader. He had an extensive career performing jazz, funk, R&B, and soul music and recorded with musicians such as Ahmad Jamal, Lou Donaldson, Pharoah Sanders, Bob James, and Tete Montoliu.
Born Leo Morris in New Orleans, Idris Muhammad grew up in the city's 13th Ward in a home next door to a dry cleaner’s shop. He later would claim the sound of the shop’s steam presser influenced his hi-hat technique.
Growing up, he spent time with fellow New Orleanians The Neville Brothers. Also interested in other instruments, he showed early talent as a percussionist, playing in a Mardi Gras parade at age 9. Muhammad asked Paul Barbarin to teach him to read music but Barbarin, who thought he was already so talented, declined. At age 14, Muhammad began his professional career by performing with The Hawketts on their iconic recording “Mardi Gras Mambo”. Two years later, in 1956, he played drums on Fats Domino's recording of "Blueberry Hill".
After being introduced by Joe Jones, Muhammad began touring with Sam Cooke. Later he played with Jerry Butler and Curtis Mayfield in Chicago, working largely in R'n'B, before moving to New York City in the mid-1960s. In New York, Muhammad became embedded in the jazz scene playing with Kenny Dorham, Horace Silver, Lou Donaldson and Betty Carter. He also played in the Apollo Theatre's house band. In 1967, he accepted a job in the orchestra for the initial off-Broadway production of Hair and stayed with the production when it moved to Broadway.
During this time, Muhammad was also in the Prestige label’s house band and made over 150 recordings for the Prestige, Blue Note, and CTI labels among others. He recorded with artists such as Lou Donaldson and Charles Earland who had begun merging jazz with sounds from funk, soul and rock. Muhammad also appeared as a sideman with artists such as Gene Ammons, Nat Adderley, and George Benson. Rudy Van Gelder often worked with Muhammad and had a special relationship with him.
Muhammad’s first recording as a leader, Black Rhythm Revolution! was released by Prestige in 1970 and was followed by Peace and Rhythm in 1971. Both of these albums explored a range of styles and traditions found in jazz and New Orleans rhythms. Subsequent albums released on the Kudu imprint, Power of Soul, House of the Rising Sun, and Turn This Mutha Out, took a turn towards funk.
Towards the end of the 1970s, Muhammad joined Johnny Griffin's band and spent time playing with Pharoah Sanders. By the 1980s, Muhammad had moved to Europe. He continued to regularly play and record, collaborating with the likes of Ahmad Jamal, Chico Freeman, and Sonny Rollins.
Further information about Idris Muhammad is found here and here.
Photography credit: William P. Gottlieb, Public Domain, via Wikimedia Commons
This content was excerpted from the Wikipedia article, https://en.wikipedia.org/wiki/Idris_Muhammad, which is released under the Creative Commons Attribution-Share-Alike License 3.0 (https://creativecommons.org/licenses/by-sa/3.0/).