Artist: Jimmy Blanton


Jimmy Blanton was an American jazz double bassist. Blanton is credited with being the originator of more complex pizzicato and arco bass solos in a jazz context than previous bassists. Nicknamed "Jimmie," Blanton's nickname is usually misspelled as "Jimmy," including by Duke Ellington

Blanton left university in 1938 to play full-time in St Louis with the Jeter-Pillars Orchestra. Blanton joined Duke Ellington's band in October 1939 when the Ellington Orchestra came to St. Louis for a residence and the band became enamored with Blanton's playing at local late-night jam sessions. Ellington offered Blanton the job the same night he met him. 

On November 22 of that year, Blanton and Ellington recorded two tracks – "Blues" and "Plucked Again" – which were the first commercially recorded piano–bass duets.  Further duet recordings were made in 1940, and Blanton was also featured in orchestra tracks.  In May 1940, the band recorded hits such as "Jack the Bear" and "KoKo" which featured Blanton's chops. He was soon the talk of the town everywhere the Ellington Orchestra went.

Ellington put Blanton front-and-center on the bandstand nightly, unheard of for a bassist at the time. Such was his importance to Ellington's band at the time, together with tenor saxophonist Webster, that it became known as the Blanton–Webster band also played in the "small group" sessions led by Barney Bigard, Rex Stewart, Johnny Hodges, and Cootie Williams in 1940-41. 

When with the Jeter-Pillars Orchestra, Blanton added classical music pizzicato and arco techniques to jazz bass, making it into more of a solo instrument.  While with Ellington, Blanton revolutionized the way the double bass was used in jazz. His virtuosity placed him in a different class from his predecessors, making him the first master of the jazz bass and demonstrating its potential as a solo instrument. "He possessed great dexterity and range, roundness of tone, accurate intonation, and above all an unprecedented sense of swing." 

He added "many non-harmonic passing notes in his accompaniment lines, giving them a contrapuntal flavour and stimulating soloists to their own harmonic explorations. His originality was developed by others into the foundations of the bebop rhythm section.  His importance was such that, "until the advent of the styles of Scott LaFaro and Charlie Haden in the 1960s all modern bass players drew on his innovations." 

Further information about Jimmy Blanton is found here and here.

Photography credit: William P. Gottlieb, Public Domain, via Wikimedia Commons

This content was excerpted from the Wikipedia article, https://en.wikipedia.org/wiki/Jimmy_Blanton, which is released under the Creative Commons Attribution-Share-Alike License 3.0 (https://creativecommons.org/licenses/by-sa/3.0/).

Rare Jimmie Blanton bass solo - Sepia Panorama (Duke Ellington)

Jimmy Blanton: Videos

Body and Soul (take 1) - Duke Ellington / Jimmy Blanton

PLUCKED AGAIN by Duke Ellington-piano, Jimmy Blanton-bass 1939