Artist: Joao Gilberto


João Gilberto (born João Gilberto do Prado Pereira de Oliveira  was a Brazilian guitarist, singer, and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called "father of bossa nova"; in his native Brazil, he was referred to as "O Mito" ("The Legend"). 

Gilberto's first recordings were released in Brazil as two-song, 78-rpm singles between 1951 and 1959. In the 1960s Brazilian singles evolved to the "double compact" format, and Gilberto released some EPs in this new format, which carried four songs on a 45-rpm record. In 1956, he returned to Rio and struck up old acquaintances, most significantly with Antônio Carlos Jobim, who was by then working as a composer, producer and arranger with Odeon Records. Jobim was impressed with Gilberto's new style of guitar playing and set about finding a suitable song to pitch the style to Odeon management. 

In July 1958, Elizete Cardoso released the famous LP, Canção do Amor Demais, containing songs by Tom Jobim and Vinicius de Moraes. The record, however, would enter the history of Brazilian popular music for another reason: Gilberto accompanied Cardoso on guitar on the tracks "Chega de Saudade" and "Outra Vez", these being the first recordings of the so-called "bossa nova beat".

In August of that year, Gilberto released a 78 rpm record containing "Chega de Saudade" and "Bim Bom", recorded at Odeon, with collaborations from Jobim, Dorival Caymmi and Aloysio de Oliveira. This album inaugurated the "bossa nova" genre and soon became a commercial success. Gilberto's recording had arrangements by Jobim and the participation of Milton Banana, among other artists.

In 1959, Gilberto released another 78 rpm, containing "Desafinado" by Jobim and Newton Mendonça, and "Hô-bá-lá-lá", written by himself. In March 1959, he released the LP Chega de Saudade, which became a sales success and had a major impact in the history of Brazilian music. 

In 1963, Gilberto collaborated with American jazz musician Stan Getz on the album Getz/Gilberto which was released the following year. Jobim played the piano for the album while Gilberto's then-wife Astrud performed the vocals in English while he sang in Portuguese. Although Astrud Gilberto was only in the recording studio to be with her husband, João Gilberto requested her to sing on several of the tracks as he could not sing in English. This resulted with a duet between the two on the track "The Girl from Ipanema" which became a major hit from the album. At the 7th Annual Grammy Awards, Getz/ Gilberto won three awards including Album of the Year, which marked the first time a jazz album received the accolade. 

In 2001, Gilberto won the Grammy for the Best World Music Album category in the 43rd Annual Grammy Awards for his work on the album João Voz e Violão.A year later, he was inducted into the  International Latin Music Hall of Fame. 

Gilberto innovated by using two microphones to record, one for the voice and one for the guitar. This way, the harmony became more clearly heard. Until then, songs were recorded with only one microphone, emphasizing the voice to the detriment of the guitar. With this innovation, voice and guitar could compete equally, if the voice maintained a natural intensity. . 

Further information about Joao Gilberto is found here and here.

Photography credit: Starlight 13:01, 29 April 2006 (UTC), Public domain, via Wikimedia Commons

This content was excerpted from the Wikipedia article, https://en.wikipedia.org/wiki/Jo%C3%A3o_Gilberto, which is released under the Creative Commons Attribution-Share-Alike License 3.0 (https://creativecommons.org/licenses/by-sa/3.0/).

Wave - João Gilberto with the Dutch Metropole Orchestra, 1980

Joao Gilberto - Montreux Jazz Festival 1985

Joao Gilberto: Videos

João Gilberto 60's TV (incompleat)