Artist: Lonnie Liston


Lonnie Liston Smith Jr.  is an American jazz, soul, and funk musician who played with such jazz artists as Pharoah Sanders and Miles Davis, before forming Lonnie Liston Smith and the Cosmic Echoes, and recorded several albums widely regarded as classics in the fusion, smooth jazz and acid jazz genres. 

In 1963, he moved to New York City, where he played piano in Betty Carter's band for a year. Early in 1965, Smith began playing with Roland Kirk, first recording with his band on Here Comes The Whistleman (Atlantic, 1965), an album recorded live in New York on March 14, 1965. A further track from that gig, "Dream", appeared on Roland Kirk and Al Hibbler's live album A Meeting of the Times (Atlantic, 1972). 

Late in 1965, Smith joined Art Blakey's Jazz Messengers, sharing the piano position with Mike Nock and Keith Jarrett. The Jazz Messengers, together with Miles Davis' group, were one of the main proving grounds for young up-and-coming jazz musicians, experimentally edgy and musically stretching, and both were an ever-revolving door of young modern jazz musicians as modes and moods rapidly changed during a fresh period of experimentation.

In May 1967, Smith returned to working with Roland Kirk for the album sessions for Now Please Don't You Cry, Beautiful Edith (Verve, 1967) before continuing his career as pianist for a year with drummer Max Roach (although once again no recordings were made of this lineup). 

Following this stint, Smith moved to Pharoah Sanders' ensemble early in 1968, a group Sanders had set up on the death of John Coltrane the previous year. Fiercely improvisational, Sanders pushed the band creatively to the boundaries of free jazz, recording three of Sanders' finest recordings: Karma (Impulse, 1969), Jewels of Thought (Impulse, 1970) and Thembi (Impulse, 1971), together with 1969 recording sessions not released until 1973 as Izipho Zam (Strata East, 1973). It is at this point that Smith began experimenting with electric keyboards: 

While passing through Miles Davis' ever-changing line-up, Smith had finally formed his own group, 'Lonnie Liston Smith and the Cosmic Echoes' in 1973, together with his partner in Pharoah Sanders groupCecil McBee, on bass, George Barron (soprano and tenor sax), Joe Beck (guitar), David Lee, Jr. (drums), James Mtume (percussion), Sonny Morgan (percussion), Badal Roy (tabla drums), and Geeta Vashi (tamboura).

The following year Smith's brother, Donald, joined the Cosmic Echoes as vocalist for Cosmic Funk (Flying Dutchman, 1974). Although he remained close to his earlier roots with featured versions of Wayne Shorter's "Footprints" and John Coltrane's "Naima" on this album, by now Smith was heading into the smooth jazz funk/fusion style that would dominate his output from that point onward.

This attitude may not have endeared Smith to the hardcore free jazz fans who had appreciated his earlier work, but this new relaxed fusion style proved popular with a cross-over audience not normally associated with jazz, and the following albums,  Expansions (Flying Dutchman, 1974), Visions of a New World (Flying Dutchman, 1975) and Reflections of a Golden Dream (Flying Dutchman, 1976) have since become mainstays of the jazz-funk and chill jazz genres with DJs and audiences worldwide.

Further information about Lonnie Liston is found at LonnieListonSmith.com.

Photography credit: Cavie78, CC BY-SA 3.0 <https://creativecommons.org/licenses/by-sa/3.0>, via Wikimedia Commons

This content was excerpted from the Wikipedia article, https://en.wikipedia.org/wiki/Lonnie_Liston_Smith, which is released under the Creative Commons Attribution-Share-Alike License 3.0 (https://creativecommons.org/licenses/by-sa/3.0/).

Lonnie Liston Smith live session for Jazz FM

Lonnie Liston: Videos

Lonnie Liston Smith Set - Art and Soul V

Lonnie Liston Smith "Expansions" Katalyst and Loren Oden LIVE at Jazz Is Dead