Artist: Louis Cottrell Jr.

Louis Albert Cottrell Jr. was a Louisiana Creole jazz clarinetist and tenor saxophonist. He was the son of the influential drummer Louis Cottrell, Sr., and grandfather of New Orleans jazz drummer Louis Cottrell III.

Later in the 1920s he worked with Chris Kelly and Kid Rena, then in 1929 found work on the riverboat SS Island Queen with Lawrence Marrero's Young Tuxedo Brass Band and Sidney Desvigne. He joined Don Albert's orchestra soon after, recording an album with the orchestra in 1935 under the Vocalion label. He tried his hand at composing, and with Lloyd Glenn and Albert wrote, "You Don't Love Me (True)."

Rhythm and blues bandleader Paul Gayten would later approach Cottrell to record "You Don't Love Me" and it became one of the first hits of the R&B New Orleans era. Cottrell toured widely throughout North America with Albert until 1939. After leaving Albert he returned to New Orleans, playing with Paul Barbarin in 1940. They would form an enduring collaboration. He performed with A.J. Piron in 1941, then returned to play with Desvigne from 1942 to 1947. In the 1950s he played again with Barbarin, and recorded with him in 1951 and 1955.

Cottrell first recorded as a leader in 1961, when he formed the Louis Cottrell Trio to record for Riverside's "Living Legends" series. Barbarin and Cottrell in 1960 revived the Onward Brass Band. As a sideman he recorded with Peter Bocage (1960), Jim Robinson (1961–64), Harold Dejan (1962), Thomas Jefferson (1962), Paul Barbarin at Preservation Hall (1962), Sweet Emma Barrett (1963), Avery Kid Howard (1964), Waldren Joseph (1964–1965), Barbarin's Onward Brass Band (1968, 1968) and Paul "Polo" Barnes (1969). In 1967, Cottrell, went on a U.S.O. tour to entertain troops in Vietnam and Thailand. Cottrell took over the Onward Brass Band after Paul Barbarin's death in 1969.

He formed the Heritage Hall Jazz Band in 1971 and also led that ensemble up until his death. In its day, Heritage Hall rivaled the better known Preservation Hall, both located in the French Quarter. It was during this period in 1974 that the Heritage Hall Jazz Band, under Cottrell's leadership, played Carnegie Hall in New York City. He made several television appearances, including Perry Como's Spring in New Orleans in 1976.

Cottrell played traditional jazz, also referred to as Dixieland, the earliest form of jazz. It is distinguished by polymorphic improvisation by trumpet, trombone and clarinet. It has its origins in the marching bands of New Orleans which played at funerals. The main instruments of the bands, brass and woodwinds, would become the basic instruments of jazz.

Further information can be found at LouisCottrellJr.com.