Artist: Michael Petrucciani
Michel Petrucciani was a French jazz pianist. From birth he had osteogenesis imperfecta, a genetic disease that causes brittle bones and, in his case, short stature. He became one of the most accomplished jazz pianists of his generation despite his health condition and relatively short life.
From the beginning, Petrucciani had always been musical, reportedly humming Wes Montgomery solos by the time he learned to speak. He began learning classical piano at the age of four and was making music with his family by the age of nine. The musician who would prove most influential to Petrucciani was Bill Evans, to whom he began listening at around the age of ten. Petrucciani's layered harmonies, lyrical style, and articulation of melody have always been linked most strongly to this early exposure to Evans.
Petrucciani gave his first professional concert at the age of 13. At this point of his life, he was still quite fragile and had to be carried to and from the piano. His hands were average in length, but his size meant that he required aids to reach the piano's pedals.
Petrucciani made his first trip to Paris at the age of fifteen. There he played with Kenny Clarke in 1977 and Clark Terry in 1978.
On a trip to the US, he visited retired saxophonist Charles Lloyd. Lloyd had stopped playing when people began to view his sidemen as more fashionable than he himself was. After hearing Petrucciani play, Lloyd was so inspired that he agreed to tour with him. Petrucciani and Lloyd's tour of the West Coast of the United States was a huge success and they continued internationally. On 22 February 1985, with Petrucciani cradled in his arms, Lloyd walked onto the stage at Town Hall in New York City and sat him on his piano stool for what would be a historic evening in jazz history: the filming of One Night with Blue Note. The film's director John Charles Jopson would later recall in the reissued liner notes that the moment moved him to tears.
Petrucciani and Lloyd's performance at the Montreux Jazz Festival was made into an album, and in 1982, they won the 1982 Prix d'Excellence.
Petrucciani moved to New York City in 1984, and spent the rest of his life there. This was the most productive period of his career. In 1986 he was recorded at the Montreux Jazz Festival with Wayne Shorter and Jim Hall, producing the trio album Power of Three. He also played with diverse figures in the U.S. jazz scene including Dizzy Gillespie.
Osteogenesis imperfecta seemed to contribute greatly both to Petrucciani's personality and his playing style. By his own account, he was in almost constant physical pain. Yet, he was known for his cheerful, playful, even cavalier personality. He said, "I love humor; I love to laugh, I love jokes, I love silliness. I love that; I think it's great. I think laughter is worth a whole lot of medicine."
Stylistically, Petrucciani is most frequently compared to Bill Evans and Keith Jarrett for his lyricism, and to Oscar Peterson for his virtuosity. His playing was often quite dramatic; critics accuse him of over-indulgence and cheap showmanship, sometimes dismissing his music as being too accessible. Petrucciani was loose and playful in the rhythm section and gave attention to a strong articulation of the melody. He sometimes paused at the peaks of his solo lines before descending again, as if in appreciation of his idea.
Petrucciani died a week after his 36th birthday. He was interred in Le Père Lachaise Cemetery in Paris, one tomb away from Frédéric Chopin. In 1994, he was granted the Order of the Légion d'honneur in Paris. On 12 February 2009, the French music channel Mezzo broadcast a special event paying homage to Petrucciani close to the 10th anniversary of his death.
Further information about Michael Petrucciani is found here and here.
This content was excerpted from the Wikipedia article, https://en.wikipedia.org/wiki/Michel_Petrucciani, which is released under the Creative Commons Attribution-Share-Alike License 3.0 (https://creativecommons.org/licenses/by-sa/3.0/).