Artist: Pete LaRoca


Pete "La Roca" Sims, known as Pete La Roca from 1957 until 1968, was an American jazz drummer  and attorney.

Born and raised in Harlem by a pianist mother and a stepfather who played trumpet, he was introduced to jazz by his uncle Kenneth Bright, a major shareholder in Circle Records and the manager of rehearsal spaces above the Lafayette Theater. Sims studied percussion at the High School of Music and Art and at the City College of New York, where he played tympani in the CCNY Orchestra.

He adopted the name La Roca early in his musical career, when he played timbales for six years in  Latin bands. In the 1970s, during a hiatus from jazz performance, he resumed using his original surname. When he returned to jazz in the late 1970s, he usually inserted "La Roca" into his name in quotation marks to help audiences familiar with his early work identify him.

In 1957, Max Roach became aware of him while jamming at Birdland and recommended him to Sonny Rollins. As drummer of Rollins' trio on the afternoon set at the Village Vanguard on November 3 he became part of the important record A Night at the Village Vanguard. (Only one of five recorded tracks with La Roca was included on the original single LP release of the album).

In 1959 he recorded with Jackie McLean (New Soil) and in a quartet with Tony Scott,  Bill Evans and  Jimmy Garrison. Besides Garrison he often joined with bassists who played in the Bill Evans Trio, especially Scott LaFaro and Steve Swallow, and also accompanied pianists like Steve Kuhn, Don Friedman and Paul Bley

Between the end of the 1950s and 1968, he also played with Slide Hampton, the John Coltrane QuartetMarian McPartlandArt FarmerFreddie Hubbard, Mose Allison, and Charles Lloyd, among others. During this period, he led his own group and worked as the house drummer at the Jazz Workshop in Boston, Massachusetts. He recorded two albums as a leader during the mid-1960s, Basra (Blue Note, 1965) and Turkish Women at the Bath (Douglas, 1967). 

In 1968, enrolled in law school. By this time he was already earning most of his income by driving a taxi cab in New York City, a job he held for five years during the 1960s.  Sims became a lawyer in the early 1970s, and was still practicing at the time of a 1997 radio interview with WNYC's Steve Sullivan.

He returned to jazz part-time in 1979, and recorded one new album as a leader, Swing Time (Blue Note, 1997). 

This content was excerpted from the Wikipedia article, https://en.wikipedia.org/wiki/Pete_La_Roca, which is released under the Creative Commons Attribution-Share-Alike License 3.0 (https://creativecommons.org/licenses/by-sa/3.0/).

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