Artist: Raymond Burke
Raymond Burke was an American jazz clarinetist.
Raymond Burke was born Raymond Barrois on June 6, 1904, in New Orleans, Louisiana. Burke rarely left the city except for out-of-town gigs or tours with the Preservation Hall Jazz Band later in life. His friend and jazz enthusiast Al Rose said Burke spent no more than ten weeks outside of New Orleans.
In the 1930s Burke played with The Henry Belas Orchestra (trumpeter Henry Belas, trombonist Al Moore, drummer Joe Stephens, and pianist "PeeWee"); The Melon Pickers (guitarist Henry Walde, bassist John Bell, drummer Al Doria, trumpeter Bill Nauin, and pianist Julius Chevez.) Burke also spent a short period of time in Kansas City for a musical job, but soon returned
In the 1940s and '50s he played with Alvin Alcorn, Sharkey Bonano, and frequently in a trio with pianist Jeff Riddick and bassist Sherwood Mangiapane. In the 1960s and 70s Burke he played with Preservation Hall musicians.
According to John Steiner, 1939 was an important year for the discovery of Burke's music, as well as for other relatively low key jazz musicians. This year marked the availability of cheap, portable recorders. Jazz enthusiasts would bring these devices to local jam sessions and record their favorite musicians. Among these collectors, recordings were passed around, and Burke's audience increased gradually over the next two decades.
Raymond Burke played in the Dixieland style. According to Charles Suhor, Dixieland is characterized by "more conventional tones of wind instruments, rejection of rapid vibratos, greater instrumental facility, and considerable attention to solos, which are routinely 'passed around' in between opening and closing ensemble choruses." Burke's repertoire consisted primarily of old standards.
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