Artist: Tommy Flanagan


Thomas Lee Flanagan was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art TatumTeddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album Saxophone Colossus.

Recordings under various leaders, including Giant Steps of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. 

Flanagan's early influences included Art Tatum and Teddy Wilson, both of whom he heard on the radio and playing in the Detroit area, as well as Nat King Cole and local pianists Earl Van Riper and Willie Anderson. These, however, played in an earlier style, and the young Flanagan and his friends were more interested in the newer bebop, including that played by pianist Bud Powell, who had a strong effect on Flanagan's musical thinking and improvising. 

Flanagan moved to New York in 1956. He was unsure of how long he would stay, having been persuaded to go by Willie Anderson. Flanagan soon found work in clubs and studios, including recording Detroit – New York Junction with Thad Jones in March. Later the same month he returned to recording, this time with Miles Davis and Sonny Rollins, for tracks released on Collectors' Items. Rollins was leader for another session three months later:  Saxophone Colossus, which was labeled an "undisputed masterpiece" by The Penguin Guide to Jazz. 

Flanagan also first accompanied Ella Fitzgerald in 1956, for around a month, including at the Newport Jazz Festival. Later that year, he joined trombonist J. J. Johnson, with whom he recorded several albums in 1957 and then toured Europe. While in Sweden, Flanagan, with bassist Wilbur Little and drummer  Elvin Jones, recorded his first album as leader, Overseas. Late in 1957, he was part of Miles Davis' band for a short period, before returning to Johnson early the following year, for another stay of 10 months. A period leading his own trio in 1958 was followed by working with trombonist Tyree Glenn. 

In May 1959 he was part of a groundbreaking recording: John Coltrane's Giant Steps, described by The Penguin Guide to Jazz as the saxophonist's "first genuinely iconic record". The technical complexity of the music, particularly of the title track, meant that there were numerous false starts and rejected takes, and the initially released take of "Giant Steps" is a rare instance on record of Flanagan sounding uncertain. 

Flanagan was a member of the quartet that made The Incredible Jazz Guitar of Wes Montgomery in1960 

Flanagan was with trumpeter Harry Edison in 1959–60, and tenor saxophonist Coleman Hawkins in 1961–62, including a UK tour. In this period, Flanagan recorded albums with several leaders from an earlier era, including Lionel HamptonJo Jones, and Pee Wee Russell, as well as one with Edison and around 10 with Hawkins. Flanagan then played with guitarist Jim Hall and bassist Percy Heath as a trio in New York. 

In 1962, he was asked by jazz impresario Norman Granz to become Ella Fitzgerald's full-time accompanist. Flanagan was looking for steadier work than was available with Hawkins, so he accepted. He worked with Fitzgerald from 1962 to 1965. They toured internationally, including to Japan in 1964. He also played with other bands when not required by the vocalist; these included a brief reunion with Rollins in 1965. Later the same year, Flanagan left Fitzgerald and was part of Art Farmer's short-lived New York Jazz Sextet, which recorded Group Therapy. Flanagan then became accompanist to Tony Bennett for part of 1966 and lived on the West Coast. 

Flanagan returned to working with Fitzgerald in 1968. In addition to being her pianist, mostly as part of a trio, he was her musical director. Her profile was high enough for the group to tour for 40–45 weeks a year, including at least one tour of Europe a year (29 cities on the continent in 1970, for example). During these concerts, Flanagan often played a set as part of his trio, without the singer. 

Flanagan ended his role with Fitzgerald in 1978, after he had a heart attack and had become tired of extensive touring. Flanagan played solo piano in New York. In 1979, he was a guest on the first series of Marian McPartland's Piano Jazz radio programs.  He continued to work with other players, including as a trio with Tal Farlow and Red Mitchell in 1980. 

For much of the 1980s, he led a trio that featured bassist George Mraz and various drummers. By around 1990, Flanagan was concentrating on his own appearances and recordings rather than sideman activities. In the early 1990s, Mraz was replaced by Peter Washington, whose heavier bass lines added urgency to the trio's sound. 

Further information about Tommy Flanagan is found here and here.

This content was excerpted from the Wikipedia article, https://en.wikipedia.org/wiki/Tommy_Flanagan, which is released under the Creative Commons Attribution-Share-Alike License 3.0 (https://creativecommons.org/licenses/by-sa/3.0/).

Tommy Flanagan - Solo Piano Montreux Jazz Festival 1981

Tommy Flanagan - Giant Steps (1982).


Tommy Flanagan: Videos

Tommy Flanagan Trio - Jazz at Antibes, France 1975