Artist: Earl Bostic
Eugene Earl Bostic was an American alto saxophonist. Bostic's recording career was diverse, his musical output encompassing jazz, swing, jump blues, and the post-war American rhythm and blues style, which he pioneered.
Bostic turned professional at the age of 18 when he joined Terence Holder's "Twelve Clouds of Joy". He made his first recording with Lionel Hampton in October 1939, with Charlie Christian, Clyde Hart, and Big Sid Catlett. Before that, he performed with Fate Marable on New Orleans riverboats. Bostic graduated from Xavier University in New Orleans. He worked with territory bands as well as Arnett Cobb, Hot Lips Page, Rex Stewart, Don Byas, Charlie Christian, Thelonious Monk, Edgar Hayes, Cab Calloway, and other jazz luminaries.
In 1938, and in 1944, Bostic led the house band at Smalls Paradise. While playing at Small's Paradise, he doubled on guitar and trumpet. During the early 1940s, he was a well-respected regular at the famous jam sessions held at Minton's Playhouse. He formed his own band in 1945 and made the first recordings under his own name for the Majestic label. He turned to rhythm and blues in the late 1940s.
His biggest hits were "Temptation", "Sleep", "Flamingo", "You Go to My Head" and "Cherokee". At various times, his band included Keter Betts, Jaki Byard, Benny Carter, John Coltrane, Teddy Edwards, Benny Golson, Blue Mitchell, Tony Scott, Cliff Smalls, Sir Charles Thompson, Stanley Turrentine, Tommy Turrentine, and other musicians who rose to prominence, especially in jazz.
Bostic's King album entitled Jazz As I Feel It featured Shelly Manne on drums, Joe Pass on guitar, and Richard "Groove" Holmes on organ. Bostic recorded A New Sound about one month later, again featuring Holmes and Pass. These recordings allowed Bostic to stretch out beyond the three-minute limit imposed by the 45 RPM format. Bostic was pleased with the sessions, which highlight his total mastery of the blues, but they also foreshadowed musical advances that were later evident in the work of John Coltrane and Eric Dolphy.
He wrote arrangements for Paul Whiteman, Louis Prima, Lionel Hampton, Gene Krupa, Artie Shaw, Hot Lips Page, Jack Teagarden, Ina Ray Hutton, and Alvino Rey.
Bostic was influenced by Sidney Bechet and (according to James Moody) John Coltrane was in turn influenced by Bostic.
Further information about Earl Bostic is found at EarlBostic.com.
This content was excerpted from the Wikipedia article, https://en.wikipedia.org/wiki/Earl_Bostic, which is released under the Creative Commons Attribution-Share-Alike License 3.0 (https://creativecommons.org/licenses/by-sa/3.0/).